Ansel Adams

Ansel Easton Adams was known for his black and white photographs of the California's Yosemite Valley. Adams was also the author of numerous books about photography, including his trilogy of technical instruction manuals (The Camera, The Negative, and The Print). He co-founded the photographic association Group f/64 along with other masters like Edward Weston, Willard Van Dyke, Imogen Cunningham and others. He invented the zone system, a technique which allows photographers to translate the light they see into specific densities on negatives and paper, thus giving them better control over finished photographs. Adams also pioneered the idea of visualization (which he often called 'previsualization', though he later acknowledged that term to be a redundancy) of the finished print based upon the measured light values in the scene being photographed.

AKim KirbyMay 31, 2019Male, Photographer, 1900s, American Photographers, Ansel Adams, Group f/64, Summer in Carmel

Wynn Bullock

Wynn Bullock began his photographic career at the age of 42 studying at the Art Center School in Los Angeles, California. A lifelong friend of Edward Weston, his work and influence thrived in Bullock's photographs and in 1968, he became a trustee and chairman of the exhibition committee during the formative years of Friends of Photography in Carmel, California. Bullock is recognized as an American master photographer of the 20th Century. His work is included in over 90 major museum collections around the world including The Museum of Modern Art, The San Francisco Museum of Modern Art, The Hallmark Collection of Photography and The Center for Creative Photography which holds the archives of Ansel Adams, Harry Callahan, Frederick Sommer and Aaron Siskind.

BKim KirbyMay 31, 2019Male, 1900s, American Photographers, Wynn Bullock, Summer in Carmel

Rod Dresser

DKim KirbyMay 31, 2019Male, American Photographers, Rob Dresser, Summer in Carmel

Chip Hooper

HKim KirbyMay 31, 2019American Photographers, Male, 1900s, 2000s, Chip Hooper, Summer in Carmel

Rolfe Horn

HKim KirbyMay 31, 2019American Photographers, Male, 2000s, California Photographers, Rolfe Horn, Summer in Carmel

Dale Johnson

JKim KirbyMay 31, 2019American Photographers, Female, 1900s, 2000s, Dale Johnson, Summer in Carmel

Alan Ross

RKim KirbyMay 31, 2019Male, American Photographers, Alan Ross, Summer in Carmel

Brett Weston

Brett Weston may be said to be the first successful artistic heir in the history of photography. The son of Edward Weston, Brett was taught the basics of photography by his father at the young age of fourteen, and set out on his own from that point on. At sixteen he had his first one-man show, and received international recognition at eighteen when a score of his photographs were displayed in the legendary “Film und Foto” exhibition of 1929 in Stuttgart. By the age of twenty, his photographs were on view in major shows in the US, Europe, and Japan. Since then, Weston’s photographs have been featured in hundreds of exhibitions around the world, and are staples in the collections of leading museums and galleries including the Getty Museum, San Francisco Museum of Modern Art, Art Institute of Chicago, George Eastman House, Metropolitan Museum of Art, Museum of Modern Art New York, Whitney Museum of American Art, Philadelphia Museum of Art, Oklahoma City Museum of Art, Amon Carter Museum, Museum of Fine Arts Houston, National Gallery of Art and the Smithsonian American Art Museum among others. Concerned with the elemental mass of forms, he is known for his great abstractions; he is also generally acknowledged as one of the finest printers in the medium.

Cara Weston

Cara Weston was born and raised in Carmel, California, the daughter of photographer Cole Weston and Helen Prosser Weston and granddaughter to the world-renowned photographer Edward Weston and Flora Chandler Weston. Living in the photographic world all her life, in the 1970s, she worked for and with her father Cole Weston, and with her uncle, Brett Weston as an assistant and model. She also spent a short time assisting black and white photographer Rod Dresser. Cara initially photographed using only black and white film, she has broken with family tradition and has embraced digital photography. She also worked in the medium of stained glass for many years. Cara inherited another Weston family passion, sailing, which she did extensively, making trips to Hawaii, Costa Rica, the Channel Islands and Baja, Mexico. Cara's most personal and rewarding years have been raising her two daughters and being a mother. She strongly feels this is her greatest accomplishment in life and can't imagine anything else ever being as rewarding. Cara currently lives in Big Sur, California.

Edward Weston

Edward Weston, an American photographer was born in Highland Park, Illinois. Weston began to make photographs in Chicago parks in 1902, and his works were first exhibited in 1903 at the Art Institute of Chicago. Three years later he moved to California and opened a portrait studio in a Los Angeles suburb. The Western landscape soon became his principal subject matter. In the 1930s, Weston and several other photographers, including Ansel Adams, Imogen Cunningham, and Willard van Dyke, formed the f/64 group, which greatly influenced the aesthetics of American photography. In 1937, Weston received the first Guggenheim Fellowship awarded to a photographer, which freed him from earning a living as a portraitist. The works for which he is famous–sharp, stark, brilliantly printed images of sand dunes, nudes, vegetables, rock formations, trees, cacti, shells, water, and human faces are among the finest of 20th-century photographs; their influence on modern art remains inestimable.

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